As promised, here are pictures of Larkin's latest piece... once I coaxed the cat off of it. π This piece features a cabochon that Larkin cut from a gifted slab of jasper found in Biggs, Oregon. Biggs jasper is known for its landscape appearance, and Larkin designed this piece to make the most of that!
Larkin framed one side of the front with a tree shaped from copper wire that they then flooded with silver solder, resulting in a striking color and texture combination. The natural gnarls of the tree are balanced on the other side of the frame by a strong, smooth curve of solid silver. The treeβs roots hold the stone in place at the bottom of the piece, extending partially on to the back side.
"Tree of life" pieces are notoriously difficult to finish cleanly in a traditionally wire wrapped piece because there are SO many ends of wire that need to be tied off. Larkin's combination of wrapping and more traditional silver smithing means that they were able to neatly solder those bundled ends to the frame, rather than tying them off individually. This leaves the back wide open as another space to fill!
And fill it they did-- this piece is truly reversible, with a back that is as stunning as the front! Larkin fashioned a trio of copper toadstools, basking in the glow of a crescent moon while tapered wisps of evening breeze pass overhead. (I wouldn't necessarily have guessed that tapering wire is a tricky, time-consuming process, but apparently it is!)